week4

36 TEXTURE

valley

Combine two landscapes above

Landscape in Cryengine

6H - 2 points perspective

hallow | support | stable

void | protected | interpose

embed | obstacle | enfuse

spacious | cavity | solide

stretching | compact | extruding

emission | heavy | brim

Mashup

Mashup

Power is the ability or capacity to perform or act effectively and widely. To be powerful, you need to have ability to innovate with new features and approaches — to “break things”, also tried to deliver something truly unique, delightful production, to make you recognizable. Therefore, it will allow your image transcended national borders and cultural barriers to reach almost everyone on earth.

Coca Cola:

http://www.articlegeek.com/business/branding_articles/coca-cola-power-of-a-brand.htm

Facebook:

http://topics.nytimes.com/top/news/business/companies/facebook_inc/index.html

Take Two Interactive software:

http://www.4-traders.com/TAKE-TWO-INTERACTIVE-SOFT-11178/news/Take-Two-Interactive-Software-Inc-Rockstar-Games-Announces-Max-Payne-3-Now-Available-for-PlaySta-14329828/

VALLEY---Shangri-La

Shangri-La

Shangri-La is a fictional place described in the 1933 novel Lost Horizon by British author James Hilton. Hilton describes Shangri-La as a mystical, harmonious valley, gently guided from a lamasery, enclosed in the western end of the Kunlun Mountains. Shangri-La has become synonymous with any earthly paradise but particularly a mythical Himalayan utopia — a permanently happy land, isolated from the outside world. In the novel Lost Horizon, the people who live at Shangri-La are almost immortal, living years beyond the normal lifespan and only very slowly aging in appearance. The word also evokes the imagery of exoticism  of the Orient. In the ancient Tibetan scriptures, existence of seven such places is mentioned as Nghe-Beyul Khimpalung.[1]  Khembalung is one of several beyuls ("hidden lands" similar to Shangri-La) believed to have been created by Padmasambhava  in the 8th century as idylic, sacred places of refuge for Buddhists during times of strife (Reinhard 1978)

6H - 1 point perspective

woven | interlock | asymmetric

parallel | gradation | equality

centralized | embed | impact

embrace | shadow | encompassment

occupy | massy |dencentralized

extensity | overlap | brace

THE FINAL SUBMISSION: ELECTROLIQUID AGGREGATION

ELECTROLIQUID AGGREGATION

Alvar Aalto: Emulation of the exterior by controlled light.

Kengo Kuma: Dispersal and fragmentation resulting in the building's envelopment by the landscape.

GEOMETRIC:

The "S" shape heavy element is cut, which provide a large space. The horizontal elements are dramatical long and approaching the landscape. Those four horizontal platforms interconnect two monuments and also link the nature with the architecture together.

SKETCHUP WAREHOUSE:
http://sketchup.google.com/3dwarehouse/details?mid=1d0b17db0b25a0c24c76fab7ed6eeb8

THE FINAL SUBMISSION: Models in Cryengine

                                                                  Textures in the Models

Game Front Link:

http://www.gamefront.com/files/21666157/ARCH1101_GAN.7z

THE FINAL SUBMISSION: Combined Models

1:  Alvar Aalto: Emulation of the exterior by controlled light.

      Kengo Kuma: Dipersal and fragmentation resulting in the building's envelopment by the landscape.

2: Alvar Aalto: Verticality of the elements stresses importance in the landscape.

     Kengo Kuma: Lattice like repetitive facade creates sense of order in the building.

3: Alvar Aalto: Climatic approach to the biulding through vertical framing and grand steps creates a monumental method of approach.

     Kengo Kuma: Lattice like repetitive facade creates sense of order in the building.

The first two models are used in the Cryengine.